From the dawn of 2012, StopGAP Dance Company will be opening their doors and inviting the curious to come wandering in. We are hosting a series of ‘Dancer Days’ up and down the country, not only to stretch the parameters of our little dancing bubble, but also with a view to recruiting a new dancer. After five happy years with the company, the winds of change are blowing me across the Atlantic to simple life on the West coast with my new Californian husband.The ‘Dancer Days’ are an opportunity for StopGAP to meet dancers outside the adrenalin-fueled, sweaty palmed confines of an audition, and for curious and open-minded dancers to come along and meet the company. When I arrived five years ago as an Access Officer, it was not with the intention of eventually becoming a full-time performer with the company. I was a disillusioned dancer cum barmaid on whom risks were taken, and owing to fortuitous timing, opportunities given. Instinctively I seized them, and developed the deep-rooted passion for integrated dance and heartfelt responsibility for the company essential for any member of the team. Whether looking to recruit, or seeking employment, perhaps we don’t always know exactly what we are looking for, or what we need. What better time to call out for the curious and open-minded?
As an intimate company that spends a great deal of time together, it is essential that time is taken to find new team members. The group dynamic and often visceral relationship between the dancers is a unique and regularly celebrated element of our work. This cannot be plucked from thin air – or an audition alone! The balance of personalities in an artistic setting is a masterful kind of alchemy. Trust and intuition in abundance, combined with an imaginative and creative new dancer, could be the catalyst that allows the company to clamber to new heights, developing and refining their innovative and exemplary integrated practice (no apologies for the pressure new dancer!). We are entering a period of change, re-evaluating our progression, ambitions and our representation in the world we inhabit, time will be spent to ensure the ‘right’ person adds their voice to the chorus.
What a voyage creating the next season of rep will be, one that I personally hope will be rife with obstacles. I say this not because I will probably be sitting on the dock of the bay enjoying a clam chowder by that time, but because these obstacles are the heart and soul of our creations. Without restriction and resistance we are wading in a lukewarm paddling pool on a mild sunny day. It may feel nice but we aren’t getting far – it’s certainly no white water rafting in a lightening storm! Perhaps I am a little over-zealous with my metaphor but you know what I mean.
The creation of pioneering integrated work with StopGAP demands an expansive mind and a passion for problem solving. Blossoming in adversity is a skill necessary for the delivery of our education work also, throughout the year, by all the dancers. I was involved in a long term project that took me to Albania four times in the past year. A collaboration with the British Council, Help the Life and Vodafone Albania, we were asked to train professional Albanian dancers to teach inclusively and in turn form their own fledgling integrated companies across the country. Initially daunting, it was at times challenging, and constantly enlightening. Moments were lost in translation, and I grappled regularly with cultural divides and my own demons telling me to ‘do a fantastic job’. My eyes were opened, my inclusive practice improved, and my teaching scrutinized, explored and refined. It was a remarkable experience and ended with a surprise appearance on Albania’s ‘Dancing With The Stars’. Who’d have thought? Now there’s something to tell the grandchildren about.
There is an undertone of unpredictability and hilarity to our everyday interaction, but perhaps the most challenging times at StopGAP are in fact the humdrum days. When the nights are drawing in and it’s the same faces in the studio again and again, maybe we just need someone who will come in, put the kettle on, and then just get on with it.
Curious? You bring the biscuits, the doors are open!
Visit the Artist and Teacher Development page for more information.
